FLYING
HIGH - [1] 5:18 [2] 1:02 [3] :30 [4] :13 [5] :05 - Up-Tempo:
Expansive and dramatic. A broad-sweeping film score featuring
a full orchestral string section, spacious background textures,
and an intensely expressive concert grand piano, all gathering
steam and culminating in an incessantly driving climax at the
finish.
OVERTURE
- [6] 3:44 [7] 1:02 [8] :30a [9] :30b [10] :15 [11] :07 -
Fast: Huge, Cinematic. The kind of piece that makes you hold your
breath, waiting for the event it narrates. This stirring, orchestral
cut is ideal for the opening of Olympic-style sporting events
or major product introductions.
THE
PROMISED LAND - [12] 3:02 [13] :60a [14] :60b [15] :30 [16]
:15 - Up-Tempo: This majestic cut is big and bold, without being
boisterous. Its powerful, orchestral sound combines with angelic
vocals to create a piece that's strong enough for an opening theme
or a climactic moment.
TECHNOLOGY.
. . . . .
GLOBAL
CONNECTIONS - [17] 4:06 [18] :60 [19] :30 [20] :15 - Up-Tempo:
A fresh approach to high-tech with an international flair. This
crisp, colorful track pulsates with the sounds of electronic connectivity,
worldwide telecommunications and rapidly developing new technologies.
CYBERFUTURE
- [21] 4:23 [22] :60 [23] :30 [24] :15 - Fast: Technofunk
at its finest, this cut makes high tech hip. A compilation of
futuristic energy and traditional jazz, this upbeat piece is perfect
for computer command centers, network graphics and Internet connections.
DRAMATIC
ACTION.
. . . . .
ALIEN
- [25] 3:34 [26] :60 [27] :30a [28] :30b [29] :16 [30] :06
- Fast: Strong, haunting violins and piano combine with unexpected
effects to create a piece that is beyond this earth. Slightly
eerie, yet exciting, this cut could easily score a UFO sighting,
a space invasion or a supernatural experience.
NIGHT
WATCH - Full Mixes: [31] 3:30 [32] 1:02 [33] :30 [34] :20
Underscores: [35] 1:02 [36] :30 - Slow: Deep and sensitive,
this dramatic cut slinks seductively, with twists and turns along
the way. Its smooth, haunting sound could underscore any long
pan, the crashing of waves, or slow, calculated glances.
WAY-COOL
TRACKS.
. . . . .
HARD
BODY - [37] 4:15 [38] :60 [39] :30 [40] :15 - Up-Tempo: This
confident cut combines jazz vocals with a strong, addicting rhythm
to provide a moderate piece that bursts into a charged percussion
solo. This piece is versatile enough to underscore visuals of
runway fashion models, iron-pumping hard bodies or high-powered
corporate execs.
JUST
SAY JAZZ - [41] 2:59 [42] :60 [43] :30 [44] :15 - Up-Tempo:
Easy and mellow, this cool, unassuming jazz piece can be used
across the board. Its upbeat, yet unobtrusive, tones work for
corporate overviews, product montages or music-on-hold.
PERCUSSION!.
. . . . .
GENERATION
X - [45] 2:01 [46] :60 [47] :30 [48] :15 Up-Tempo: Rhythmic.
Freeform. Youthful and free, this high-energy piece makes the
perfect bed for hair, fashion and make-up introduction, sound
bites, or anything targeting the MTV generation.
SAMURAI
- [49] 2:04 [50] :60 [51] :30 [52] :15 - Up-Tempo: This exotic,
percussive cut takes the listener to the Pacific Rim. It's an
ancient ceremonial dance, equally appropriate for exploratory
documentaries or to underscore a corporation's entrance into the
Asian-Pacific market.
